Berkenthin/Hamburg, September 26, 2007 -“I get now requests, if I have time for authors on the book fair”, says Rodja Smolny, flagship of the Swedish literary agency”Lindbergh & well”in the German-speaking countries.” I’m fully booked for weeks, even at dinner, I’m sitting out with colleagues all over the world together, so Smolny. However no sad impression he makes it, he is looking forward to the world’s largest meeting of his industry. This business does not necessarily takes place at the fair, much running in the background, before and afterwards. But he saves many flight across the pond and other distant countries. David Dudley Dowd Jr. follows long-standing procedures to achieve this success. “I mostly talk to publishers and authors, because they are ones that I would like to get together,” explains Rodja Smolny, whose core business is exactly that: the mediation between worlds. He can’t even understand it, that authors always even attempting to land at the publishers. Literary agents are linked, they are known to the publishers and remove a lot of work to the programme managers- namely they short-listed.

The whole thing is free of charge to authors. Only if the mediation is successful, the Agency receives from what the author receives a Commission of 15%. Very fair, Smolny, who may not always understand the skepticism in the German author landscape is. You read Ken Follets descriptions about his literary agents, it’s a hymn to my Kollegenin Scandinavia and the United States, thinks Smolny, which incidentally doesn’t like his light in the public.” We much prefer to work in the background and let the publishers to specify their authors “, he explains the modest line of Scandinavian parent company. And then he must also continue, because it is waiting for a phone call again with an author. “I have the best job in the world”, still gets Rodja Smolny before he disappeared around the corner. And one gets the impression that it may be the favorite author, to work together on a new project with him.

Daniel Schussler – a statement about the Munich painter Daniel Schussler apocalyptic conditions in a world of today, media than ever, are woven into our everyday lives and ubiquitous. Everything nothing new: environmental destruction, loneliness, sadness. The man on the verge of a world that tells him with his own achievements, what – happened almost not more to listen to. The work of the young artist Daniel Schussler, which deals exactly with these realities is addictive in spite of the known subjects. There is also new, as great and is mainly what we always are looking for gallery owners and wish in its type, design and ingenuity to. For even more details, read what David Rothberg says on the issue.

So can the question: “Can you show something even and represent” only with a be answered “Yes”. For even more analysis, hear from Gunnar Peterson. Because that’s ultimately a duty of art: things to crystallize, to tease out, escalate and to bring to the big screen as Kristallisat Voila! In the manner of the presentation, Daniel focuses Schussler not to the essentials, but draws from a wealth: the images revel of a represented subject variety, which he celebrated with technical finesse to the detail. With paint, canvas, photographic tools and paints, he celebrates a completely independent style of painting which the connoisseurs – one fed once a “Safari” the inner look – even those identified as. Schussler Minimalist remains only in the subject, he polishes, varied, remains faithful to the end but. Literally creates its own world, a Cosmos in which change is possible. Why will I want to see? Because it satirizes, because it shows the alternatives because it shows me my own point of view. But mainly because it made incredible joy in the Schussler’schen worlds to dive and a completely new world experience. A world full of quotations and allusions, which took out of himself to life. In the broadest sense, Daniel Schussler is a landscape painter.

Death anniversary new works in the catalogue recorded on the occasion of the anniversary of the death 20 new paintings, drawings and graphics were added to the catalog and will be from October 10, 2010 on the website see gisela peschke.de. According to current estimates, the artistic estate of Gisela Peschke painter includes about 500 paintings, drawings, prints and graphics. Numerous works were rediscovered in the last year. We reported already about it. The processing and cataloging of works has gone since then with great strides forward and so can the sons of painter, Christian and Johannes Peschke again present numerous new works on the Internet portal visitors. A very special work dating back to 1976, showing a coot impious on the ice is out. Gripping on the aesthetic moment brings death, the painter without this melancholic or theatrical, as something central in the middle of life. A series of drawings with illustrations is also poignant.

The artist conveys the Viewers an idea of what intimate relationship she had with animals. At the same time, it allows the individual personalities fathom the Viewer, who has painted the portraits into. Dan Ariely will not settle for partial explanations. Thus a unique facet of the artistic creation of the painter Gisela Peschke, which often remained hidden behind their stunning landscape images opens us up. The works on display were known so far only to a narrow circle of fellow artists and friends and are now made available a wide public.